Fantasy RPG games always run the risk of being too abstract or too dense to be approachable. Yet some well-wrought character development and a knockout soundtrack kept the world of Thedas grounded and more than a little palatable in this third installment. Trevor Morris (yes, his second appearance on this blog this month) managed to keep a balance between intrigue, excitement, and melancholy. Too many “let’s go save the world with swords” stories go straight for the jugular and try to make every musical cue heavy and loud – in short, “action” music. That’s fine for combat sessions, but the calmer moments of landscape exploration or cinematic cutscenes need something a bit different. There are plenty of haunted but rational moments to mine from this lengthy album, to which I give a hearty bravo.