Harry Potter and the Half-Blood Prince has a strange place in both the film franchise and book series. Gone is the startled, biting darkness that Order of the Phoenix so masterfully covered. Harry and those around him are both grimly resolved to fight chaos and irrecoverably entrenched in teen angst. The movie’s overall vibe is dark meditation. The score is suitably textured and moody (it even resembles dark ambient at times), though it isn’t without a few witty bright spots. Choirs, very much in the back seat for Phoenix and even somewhat absent in Goblet of Fire, roared back with a vengeance in this score. Weeping strings pair well with angelic treble voices and tasteful percussive touches. If you want a good mope in full orchestral glory, go for this album.